琵琶曲《陈杏元和番》中风格性技法教学探微-《集美大学学报（教育科学版）》

文章信息/Info

Title:: Teaching Study of the Style Techniques about Pipa Music “Chen Xingyuan fix”

Author(s):: CHEN Wen-wen; (Jimei University Music Institute, Xiamen 361021，China)

摘要:: 琵琶的美学艺术在很大程度上在于风格性技法的精准把握。琵琶曲《陈杏元和番》正是这样一首带有标志性风格性技法且辨识度极高，流传面甚广的“河南风格”的作品，其基本表现为音高的游移（即微升Fa和微降Si）、以及音色、力度的相应变化，从而形成了其独特的腔韵风格。乐曲中所体现出的风格性技法，诸如独具魅力的吟弦、滑音等左手演奏技法独特的处理方式：“快而大”的“吟”；“拉吟”相结合；扳；下滑音伴以吟弦；两个“吟”中介入下滑等，无一不是为其独特的腔韵风格服务。因此，精准把握风格性技法以及“度”在教学中就显得尤为重要。

Abstract:: Pipa music aesthetic’s accurate understanding depend on style of techniques largely. Pipa tune “Chen Xing Yuan fix” is such a music with the style of technique and a high degree of recognition and a wide spread of “Henan-style”works, its basic performance for pitch shifting (That is microliter Fa and slight decrease of Si). And a corresponding change in tone, dynamics, thereby forming a cavity unique rhyme style. The music reflects the style of the techniques, such as left hand playing techniques unique approach:“vibrato of fast and big and pull vibrato combine;pull; vibrato with falling glide; two vibrato with the falling glide”,its for unique rhyme style service. Therefore, accurate grasp of the style and techniques of “degree”in teaching is particularly important.