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[1]林琼.酒神的欢歌——拉丁舞身体语言初探[J].体育科学研究,2019,23(3):9-12.
 LIN Qiong.Dionysian Carols—Primary Exploration of Body Language of Latin Dance[J].sports science research,2019,23(3):9-12.
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酒神的欢歌——拉丁舞身体语言初探(PDF)
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《体育科学研究》[ISSN:1006-6977/CN:61-1281/TN]

卷:
23
期数:
2019年3期
页码:
9-12
栏目:
体育人文社会学
出版日期:
2019-05-28

文章信息/Info

Title:
Dionysian Carols—Primary Exploration of Body Language of Latin Dance
作者:
林琼
(集美大学体育学院,福建 厦门 361021)
Author(s):
LIN Qiong
(Physical Education Institute of Jimei University,Xiamen 361021,China)
关键词:
拉丁舞身体语言酒神精神日神精神
Keywords:
Latin dancebody languageDionysian spiritApollonian spirit
分类号:
-
DOI:
-
文献标志码:
A
摘要:
体育舞蹈需要从由“形”的规训延伸至“意”的解读。笔者运用符号学、身体语言学、美学等理论,对拉丁舞的动作形态和语言表意进行解构。研究得出,拉丁舞的躯干是所有动作和情绪产生的原点,并有其深刻的历史文化动因。“手舞”传达了矛盾对峙中的刚柔并济,足蹈以对“开绷直立”的扬弃表现了对生命本体的追求,头面部语言则进一步承担了微观体态语言的叙事作用。拉丁舞丰富的身体语言彰显了对人性原始情感——酒神精神的歌颂。
Abstract:
Dance sport necessitates not only the trains of shapes but also the apprehension of the implication.With the theory of semeiology,kinesics and esthetics,the paper deconstructs the action form and signification of Latin dance.The conclusion is that,as the historical and cultural result,torso acts as the original point of all actions and emotions.Hand dance transmits the temper force with grace in a contradictory state while foot dance is filled with pursuit to life-in-itself by discarding ‘open and erect’.More microcosmic narrative functions are assumed by head and face language.The plentiful body language in Latin dance is availably praise of Dionysian spirit,which is the primordial sentiment of humankind.

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更新日期/Last Update: 2019-09-01