从“交往理性”看散文诗跨文类写作的先锋性-《集美大学学报》（哲社版）

文章信息/Info

Title:: The Pioneer of Prose Poetry’s Cross Genre Writing in the View of Herbermas’ Communicative Rationality

Author(s):: ZHANG Yi; (Foundational Courses Department, Fujian Police College, Fuzhou 350007, China)

Keywords:: Habermas; communicative rationality; prose poetry; the cross of literature genres; the cross of literature styles; cross style writing

摘要:: 现代文学发展中散文诗与新诗几乎同时出现，却始终处于边缘位置，文体身份焦虑、文类归属尴尬。散文诗是诗与散文两种传统文体规范间碰撞，对话后互动、协商的结果，是文体交叉融合的必然。跨文体写作对应多元文化对话协商、兼容并蓄的时代潮流，是进入现代社会后多种文化基因交汇形成杂交型文学作品的代表。随着社会发展，混合类型的作品日渐增多，将多种文体艺术特征创造性融合，必然出现文体越界、交叉的现象，在原有文类划分范畴内给跨文类写作下定义势必造成理论的困境。借鉴哈贝马斯研究文化机制现代性的“交往理性”与诗学话语为新文体定位，可使其在社会学视野中得到学理性的阐释，理解跨文体写作的先锋性。

Abstract:: Prose poetry and new poetry appeared almost at the same time in the development of modern Chinese literature. However the prose poetry is always in a marginal position because its style and genre are difficult to categorize. Prose poetry is the result of the collision, interaction and consultations between the two traditional stylistic norms, and the crossing of different literary genres. The cross style writing essentially corresponds to the multicultural dialogue and consultation. It is the representation of hybrid literature based on different cultures in the modern society. With the development of society and the increasing works of mixed types, the creative mixing of different literature styles has caused the crossing of different literary genres. It will get into a theoretical dilemma if you identify the cross style writing in the traditional category of literary genres. The reference to communicative rationality and poetic discourse in Habermas’s modernity-research on the cultural mechanism will help to identify the genre of prose poetry, which also means a proper explanation in the view of sociology, and to understand the pioneering significance of cross style writing.