试论生态美学理论内涵的中西之别-《集美大学学报》（哲社版）

文章信息/Info

Author(s):: TANG Mei-hua; （College of Chinese Languages and Literature,Minnan Normal University,Zhangzhou 363000,China）

Keywords:: ecological aesthetics; theoretical connotation; difference between Chinese and western academic field

摘要:: 20世纪中期以来，随着工业化进程的加快，全球共同面临的生态问题催生了一系列以生态命名的学科，生态美学就是其中之一。虽然该领域至今依然存在着很多无法统一的理论问题，但其在美学界的迅猛发展却足见这个学科的生命力和发展前景。在此过程中，中国生态美学紧紧抓住生态文明建设的历史机遇，提出富有中国特色的理论主张，展示出与西方生态美学不同的发展路径。在学科地位的建立、研究思路的拓展和审美模式的改变上都有着不同凡响的建树，从美学角度对全球生态运动做出积极的回应。

Abstract:: Since the mid-20th century,with the acceleration of industrialization,the global ecological crisis has spawned a series of disciplines named after eco-,one of which is Ecological Aesthetics.Although there are still many theoretical problems that can not be unified in this field,its rapid development shows the vitality and prospects of this discipline.In this process,Chinese ecological aesthetics has seized the historical opportunity of ecological civilization construction and put forward ideas with Chinese characteristics successively,showing a different development path from Western ecological aesthetics.It has made extraordinary achievements in the establishment of disciplinary status,the expansion of research ideas,and the change of aesthetic mode,and has made a positive response to the global ecological movement.