|本期目录/Table of Contents|

[1]谭静.“新生代”美国华裔小说的文学审美回归——论黄锦莲的长篇小说《点心》[J].集美大学学报(哲学社会科学版),2019,22(03):94-98.
 TAN Jing.The Return of Literary Aesthetics in the“X Generation” Chinese American Fictions——On Kim Wong Keltner’s Fiction The Dim Sum of All Things[J].philosophy&social sciences,2019,22(03):94-98.
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“新生代”美国华裔小说的文学审美回归——论黄锦莲的长篇小说《点心》(PDF)
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《集美大学学报》(哲学社会科学版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
22
期数:
2019年03期
页码:
94-98
栏目:
出版日期:
2019-07-28

文章信息/Info

Title:
The Return of Literary Aesthetics in the“X Generation” Chinese American Fictions——On Kim Wong Keltner’s Fiction The Dim Sum of All Things
作者:
谭静
(广州商学院外国语学院,广东 广州 510530)
Author(s):
TAN Jing
(School of Foreign Studies,Guangzhou Commerce College,Guangzhou 510530,China)
关键词:
黄锦莲《点心》“个人化”写作诗化倾向文学审美
Keywords:
Kim Wong Keltner’sThe Dim Sum of All Thingspersonalized writingpoetic tendencyliterary aesthetics
分类号:
-
DOI:
-
文献标志码:
A
摘要:
美籍华裔作家黄锦莲将自己的个人体验与成长经历注入《点心》女主人公欧阳林赛的情感书写当中,呈现了多元文化角度下新一代年轻美国华裔女性眼中的“中美世界”和情感世界。分析《点心》中的个人化写作特征及作品的诗化倾向,有助于了解美国“新生代”华裔小说身份书写中所蕴含的文艺美学、文化诗学层面的意义,唤起华裔文学作品文学审美的回归。
Abstract:
By injecting her personal experience into the description of the protagonist Owyang Lindsey’s emotions in The Dim Sum of All Things ,the Chinese American writer Kim Wong Keltner displayed the Chinese and American society in the eyes of the new generation of Chinese American female as well as her emotional world from the multicultural perspective.The analysis of the emotional writing style and poetic tendency of this novel helps readers to understand the artistic aesthetics and the significance of cultural poetics embodied in the “identity” writing of “X Generation” Chinese American fictions,with the purpose of arousing the return of the artistic aesthetics in the Chinese American fictions.

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更新日期/Last Update: 2019-08-31