|本期目录/Table of Contents|

[1]刘立冬.风景写生中的图像与认知——以“徽州古塔”为例[J].集美大学学报(哲社版),2021,24(02):125-129.
　Images and Cognition in Landscape SketchingAnalysis of Huizhou Ancient Pagoda.Images and Cognition in Landscape Sketching：Analysis of Huizhou Ancient Pagoda[J].philosophy&social sciences,2021,24(02):125-129.
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风景写生中的图像与认知——以“徽州古塔”为例(PDF)
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《集美大学学报》（哲社版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
24
期数:
2021年02
页码:
125-129
栏目:
出版日期:
2021-04-28

文章信息/Info

Title:
Images and Cognition in Landscape Sketching：Analysis of Huizhou Ancient Pagoda
作者:
刘立冬
（安徽大学 艺术学院，安徽 合肥 230601）
Author(s):
Images and Cognition in Landscape Sketching：Analysis of Huizhou Ancient Pagoda
（College of Art，Anhui University，Hefei 230601,China）
关键词:
徽州古塔; 风景写生; 图像; 认知
Keywords:
Huizhou ancient pagoda; landscape sketching; image; cognition
分类号:
-
DOI:
-
文献标志码:
A
摘要:
图像与认知一直是美术学背景下风景写生实践的核心。对图像背后人文历史信息的“观看”是风景写生认知的重要环节。以“徽州古塔”为例，揭示图像与认知在风景写生实践中对视觉经验的建构、对人文时空的理解以及图像表达的重要意义。
Abstract:
Image and cognition have always been the core of landscape sketching practice in fine arts.Understanding the historical and cultural information behind the image is an important part of the understanding of landscape sketching.By analyzing the ancient pagoda in Huizhou，this article reveals the construction of visual experience，understanding of human time and space，and the importance of image expression in the practice of landscape sketching.

参考文献/References:

相似文献/References:

[1]王坤.专家和新手风景写生构图策略异同研究[J].集美大学学报(哲社版),2017,20(04):132.
　WANG Kun.A Contrastive Study of Composition Strategy in Landscape Painting Between Expert and Novice Painters[J].philosophy&social sciences,2017,20(02):132.

备注/Memo

备注/Memo:
更新日期/Last Update: 2021-05-20