|本期目录/Table of Contents|

[1]陈伟彬.《威尼斯商人》中的服饰与消费话语——从福根勃立琪的古怪装束谈起[J].集美大学学报(哲学社会科学版),2019,22(04):95-101.
 CHEN Wei-bin.Clothing and Consumption in The Merchant of Venice—From Falconbridge’s Strange Dressing[J].philosophy&social sciences,2019,22(04):95-101.
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《威尼斯商人》中的服饰与消费话语——从福根勃立琪的古怪装束谈起(PDF)
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《集美大学学报》(哲学社会科学版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
22
期数:
2019年04期
页码:
95-101
栏目:
出版日期:
2019-10-28

文章信息/Info

Title:
Clothing and Consumption in The Merchant of Venice—From Falconbridge’s Strange Dressing
作者:
陈伟彬
(集美大学外国语学院,福建 厦门 361021)
Author(s):
CHEN Wei-bin
(School of Foreign Languages,Jimei University,Xiamen 361021,China)
关键词:
莎士比亚《威尼斯商人》服饰与消费爱国主义
Keywords:
ShakespeareThe Merchant of Veniceclothing and consumptionpatriotism
分类号:
-
DOI:
-
文献标志码:
A
摘要:
《威尼斯商人》中唯一的英国人福根勃立琪男爵,因身着进口华丽服饰而被鲍西娅嘲笑为装束古怪。这一戏剧插曲可谓莎士比亚对现代早期英国服饰与消费话语的回应,传达了莎士比亚对以服饰为主的炫耀性消费的警惕之心,同时,莎士比亚通过一系列与羊毛相关隐喻的呈现,表达了对16世纪末英国羊毛布业危机的担忧。
Abstract:
In The Merchant of Venice,the only English character,Baron Falconbridge is mocked by Portia for his strange luxury dressing.This seemingly insignificant episode can be reckoned as Shakespeare’s response to the discourse about clothing and consumption in Early Modern England,conveying his alert on the conspicuous clothing consumption.Meanwhile,Shakespeare translates his worry about the economic crisis of English woolen clothing industry at the end of the 16th century into a series of metaphors related with wool in the play.

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更新日期/Last Update: 2019-11-18