|本期目录/Table of Contents|

[1]陈海燕.时代与形式:古典名画动画革新的发展[J].集美大学学报(哲社版),2022,25(01):87-92.
 CHEN Hai-yan.Times and Format:The Development ofFamous Classical Painting Animation Revolution[J].philosophy&social sciences,2022,25(01):87-92.
点击复制

时代与形式:古典名画动画革新的发展(PDF)
分享到:

《集美大学学报》(哲社版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
25
期数:
2022年01
页码:
87-92
栏目:
出版日期:
2022-01-28

文章信息/Info

Title:
Times and Format:The Development ofFamous Classical Painting Animation Revolution
作者:
陈海燕
(集美大学美术与设计学院,福建 厦门 361021)
Author(s):
CHEN Hai-yan
(College of Arts and Design,Jimei University,Xiamen 361021,China)
关键词:
古典名画新媒体动画革新
Keywords:
classical paintingsnew mediaanimation
分类号:
-
DOI:
-
文献标志码:
A
摘要:
随着科技的发展、媒介的融合,新媒体时代的高雅艺术与大众通俗文化之间的界限越来越模糊,古典名画审美形式的动画化革新可以改变其封藏在博物馆的命运,以新的姿态走入大众视野。通过分析《清明上河图》、敦煌壁画、故宫名画的动画开发,可以看到古典名画审美形式的巨大转变。名画与动画技术的强强结合,名画得到更好的传承与传播,动画艺术也得到优秀的创作源泉与内涵提升。
Abstract:
The development of technology and the integration of mediums in the new media age are increasingly blending the borders between high art and pop culture.Through the new aesthetic form of animation,classical art becomes known to a wider public,rather than being confined within the museumwalls.This paper gives an analysis of the animation of classical paintings including Along the River During the Tomb Sweeping Festival,Dunhuang frescoes,and the Palace Museum’s collection of paintings,indicating that the powerful combination of animation technology and classical paintings not only provides animation art with high-quality materials,but also promotes the inheritance and innovation of classical paintings.

参考文献/References:

相似文献/References:

备注/Memo

备注/Memo:
更新日期/Last Update: 2022-03-20