[1]戚彧.陶瓷指画艺术的文本特点及其语境解析[J].集美大学学报(哲社版),2015,18(04):131-135.
QI Yu.On the Textual Structure and Morphological Parsing of Ceramic Finger-painting Art[J].philosophy&social sciences,2015,18(04):131-135.
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陶瓷指画艺术的文本特点及其语境解析()
《集美大学学报》(哲社版)[ISSN:1006-6977/CN:61-1281/TN]
- 卷:
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18
- 期数:
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2015年04期
- 页码:
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131-135
- 栏目:
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- 出版日期:
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2015-10-28
文章信息/Info
- Title:
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On the Textual Structure and Morphological Parsing of Ceramic Finger-painting Art
- 作者:
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戚彧
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(集美大学美术学院,福建 厦门 361021)
- Author(s):
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QI Yu
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(Art School, Jimei University, Xiamen 361021, China)
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- 关键词:
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戚培才; 陶瓷指画; 文本; 艺术图式; 互文性
- Keywords:
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Qi Peicai; ceramic fingerpainting art; text; schema; intertextuality
- 分类号:
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- DOI:
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- 文献标志码:
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A
- 摘要:
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从戚培才陶瓷指画的创作方式与技法形态出发,以当代艺术文本学的观念与方法去分析其陶瓷指画技艺中的开拓性及其图示语言的特色,在阐释陶瓷指画由“作品”转换为“文本”的嬗变过程中,进一步展现其艺术语境的互文性特征。
- Abstract:
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Employing the textual theory and approach, the paper tries to reveal Qi Peicai’s ceramic fingerpainting’s art pattern and semantic composing from the perspective of production process and the finished -product form. In the description of the evolution process transforming from the ceramic finger painting work to the text, the paper further shows the features between the text form and the intertextuality context.
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更新日期/Last Update:
2016-01-09