汉画像石中的独舞艺术-《集美大学学报》（哲社版）

文章信息/Info

Author(s):: LI Tong-ying; (Conservatory of Music, Jimei University, Xiamen 361021, China)

Keywords:: Han-Dynasty portrait stone; solo dance art; aesthetic characteristics; causes

摘要:: 汉画像石就是汉代墓葬建筑物上雕刻画像的一种建筑石。汉画像石所记载内容非常广泛，有比较多的雕刻内容是反映汉代的表演艺术，其中独舞能充分展现汉代舞蹈表演的内在精髓。汉画像石中独舞的表演道具和肢体动作等方面的审美特点也体现了舞者早已把长袖作为自己身体的有机组成部分，成为汉代舞袖舞蹈的最高境界，并且运用腰部的内在功力，凸显细腰的S型的曲线动态美，从基础上，剖析汉画像石独舞的形象出现具有历史必然性，它的审美艺术特征则与文化、宗教有着深层次的传承因素，对后世戏曲、古典舞的形成和发展有着深远的影响。

Abstract:: Han-Dynasty portrait stones were the building stones for the Han tombs, on which portraits were carved. The portraits covered a wide range, most of which were the performing arts in the Han Dynasty, where “solo dance” could fully demonstrate the essence of the Han Dynasty dance performances. The aesthetic characteristics seen from those “solo” performance props and body movements revealed that long sleeves were an integral part of the soloists, becoming the highest level of the Han Wuxiu dance, and that the use of internal waist skill highlighted the slender curves of dynamic beauty of “S” type. The appearance of the solo image on the Han portrait stone had its historical inevitability, and the aesthetic and artistic features of “solo dance” were profoundly influenced by the then culture and religion. “Solo dance” on the Han portrait stone exerted far-reaching impacts on the formation and development of Chinese operas and classical dances.