|本期目录/Table of Contents|

[1]陈斌.闽南木版年画“招财王”信仰与其造型意象探幽[J].集美大学学报(哲社版),2018,21(04):43-48.
　CHEN Bin.The Worship and The Image Design of “Fortune King” in Minnan New Year Wood-cut Pictures[J].philosophy&social sciences,2018,21(04):43-48.
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闽南木版年画“招财王”信仰与其造型意象探幽(PDF)
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《集美大学学报》（哲社版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
21
期数:
2018年04期
页码:
43-48
栏目:
出版日期:
2018-10-28

文章信息/Info

Title:
The Worship and The Image Design of “Fortune King” in Minnan New Year Wood-cut Pictures
作者:
陈斌
（闽南师范大学 艺术学院，福建 漳州 363000）
Author(s):
CHEN Bin
(College of Fine Arts, Minnan Normal University, Zhangzhou 363000, China)
关键词:
木版年画; “招财王”信仰; 造型意象
Keywords:
wood-cut pictures; the worship of “Fortune King”;  image design
分类号:
-
DOI:
-
文献标志码:
A
摘要:
闽南地区自古以来就有重商传统，区域财神信仰中表现出强烈的海洋文化元素， “招财王”图式即是其表现形式之一。闽南木版年画中“招财王”属于武财神，但融合了许多文财神的特征造型,趋于番人形象流变，是明清时期闽南社会多元文化交融现象的一个反映，“招财王”图式造型流变正是这一现象明证，也是对闽南重商传统与海洋文化的独特诠释。
Abstract:
The tradition of mercantilism has existed since ancient times in Minnan, the southern region of Fujian Province, where distinct ocean cultural elements can be seen from the regional worship of God of Wealth. “Fortune King” image is exactly one of its manifestations. “Fortune King” in Minnan New Year woodcut pictures belongs to the Military God of Wealth. However, it borrowed many features of the image of the Literate God of Wealth. There was an evolution of foreigner’s appearance within it. It reflects a multi-cultural fusion of Minnan in the Ming and the Qing dynasty. The evolution of “Fortune King” image design not only serves exactly as a case in point of this phenomenon, but also gives a unique annotation to the tradition of mercantilism and ocean culture there.

参考文献/References:

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备注/Memo

备注/Memo:
更新日期/Last Update: 2018-12-10