当代手工艺设计视野下的畲族传统造物技艺-《集美大学学报》（哲社版）

文章信息/Info

Title:: The Traditional Craftsmanship of She Minority from the Perspective of Contemporary Handicraft Design

Author(s):: WANG Xiao-ge; （Fine Arts & Design College，Fujian Normal University，Fuzhou 350117，China）

Keywords:: She Minority; handicraft; intangible cultural heritage; creation skills; design ideas

摘要:: 畲族是生活在我国南方山区的一支少数民族，其传统文化及其手工技艺体现出较为突出的完整性、独特性与丰富性。从生产工具、生活用具、建筑、服饰、民俗与宗教器具等五大门类分别介绍了畲族传统造物技艺，并从文化“大传统与小传统”的视角，分析了畲汉文化交流对畲族造物技艺的影响。畲族工匠在学习汉族手工技艺的同时，坚持自己的传统习俗与文化特色。畲族丰富的传统造物技艺是当代手工艺发展所需的重要文化资源。畲族传统造物技艺所包含的设计巧思以及朴素的造物美学与我国古代“材美工巧”“重质轻文”等造物思想非常契合，也对当代手工艺设计思想发展具有一定的指导意义。

Abstract:: She Minority are an ethnic minority group living in the mountainous area of the south of China.Their traditional culture and craftsmanship are distinguished for completeness，uniqueness and richness.This paper gives an introduction to the traditional craftsmanship of She Minority from five perspectives：means of production，utensils and house wares，buildings，clothes，folkways and religious instruments.Besides，an analysis is made of the influence that the cultural exchanges between Han Ethnic Group and She Minority have on the craftsmanship of She Minority.While learning the craft skills of the Han nationality，the She Minority craftsmen also adhere to their own traditional customs and cultural characteristics.The excellent design and simple creation aesthetics involved in the rich traditional creation techniques of the She nationality，which are the important cultural resources for the development of contemporary crafts，fit nicely the creation ideas of “beautiful material and delicate craft”，and “attaching importance to content rather than form”，and also have a certain guiding significance for the development of the contemporary craft design idea.