中央苏区时期闽西客家革命歌曲的传播与影响-《集美大学学报》（哲社版）

文章信息/Info

Title:: The Dissemination and Influence of Hakka Revolutionary Songs in Western Fujian during the Period of the Central Soviet Area

Author(s):: HUANG Wen-jie; (Music College,Jimei University,Xiamen 361021,China）

Keywords:: Hakka folk songs in Western Fujian; Hakka revolutionary songs; dissemination and influence

摘要:: 20世纪二三十年代，在中国共产党领导下的闽西中央苏区，以客家民歌为母本的客家革命歌曲应运而生，成为革命志士带领群众歌唱新思想、新潮流、新风尚、新斗争的文艺武器。闽西客家革命歌曲在一定程度的文人化、政治化过程中，传统的口口相传的传播方式转换为组织传播和大众传播的实践，在“互为主体”的情境下，传统客家民歌在遭遇社会变革活水时，焕发出蓬勃的生命力，成为中央苏区时代特有的政治文化艺术现象，影响着后续的文艺发展，对当前社会主义文化建设具有参照性意义。

Abstract:: In the 1920s and 1930s,in the Central Soviet Area of Western Fujian,under the leadership of the Communist Party of China,Hakka revolutionary songs,which were based on Hakka folk songs,came into being,and became the literary and artistic weapons for revolutionaries to lead the masses to sing about new ideas,new trends,new fashions and newstruggles.In the process of certain literati politicization,these songs had transformed from the traditional way of verbal spread into organizational and mass dissemination.In the context of “inter-subjectivity”,traditional Hakka folk songs met with the social change,vibratedwith vigorous vitality,and became a unique political,cultural and artistic phenomenon in the period Central Soviet Area,which profoundly affected the subsequent development of literature and art and is of reference significance for the current socialist cultural construction.