中国合唱作品民族化百年流变、风格特征与发展展望-《集美大学学报》（哲社版）

文章信息/Info

Title:: The Nationalization of Chinese Choral Works:Evolution,Stylistic Features and Future Directions

Keywords:: Chinese choral works; nationalization; rational nativism; development direction

摘要:: 合唱这种艺术形式自20世纪初传入中国即开始其民族化发展历程，至今经历了肇端—赓续—深化—深耕4个阶段。无论是发展初期或是创作呈井喷式爆发的抗战时期、社会文化发展受到抑制的特殊时期或是21世纪的今天，综观中国合唱作品民族化的发展，理性本土主义的创作理念、源自中国历史与文学作品的创作题材，以及对中国传统音乐素材的大量运用贯穿始终其中的重要特点，是中国合唱作品民族化的时代价值，是立足传统并以理性观点吸收客位文化以丰富自身文化底蕴的创作主旨。展望未来，扎根传统文化的土壤、深耕“人民”素材进行创作，建立体系化的民族化合唱作品库，并构建数实一体全方位立体化的展示与传播平台，将是中国合唱作品民族化持续发展的重要保障。

Abstract:: Since the art form of chorus was introduced into China in the early 20th century,it has begun its nationalization,going through four stages:starting,continuing,deepening and deep cultivation.Whether it is the early stage of development or the period of Anti-Japanese War when creativity exploded,or the special period when social and cultural development was suppressed,or today in the 21st century,the nationalization of Chinese choral works,viewed from a comprehensive perspective,is characterized with the creative idea of rational nativism,the themes derived from Chinese history and literature,and the extensive use of traditional Chinese music materials.The value of the nationalization of Chinese choral works is the creation theme based on tradition and absorbing the guest culture from a rational point of view to enrich its own cultural heritage.Looking forward to the future,taking root in the soil of traditional culture,deeply cultivating “people” materials for creation,establishing a systematic library of nationalized choral works,and constructing a comprehensive three-dimensional display and communication platform integrating digitalization and reality will be an important guarantee for the sustainable development of Chinese choral works.

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