中国“非虚构返乡书写”的困境与契机——以“梁庄三部曲”为中心-《集美大学学报》（哲社版）

文章信息/Info

Title:: The Dilemma of and Opportunity for Non-fiction Writings on Returning to the Countryside in China:Centered on Liang Zhuang Trilogy

Author(s):: WU Qiong; (College of Marine Culture and Law,Jimei University,Xiamen 361021,China)

Keywords:: non-fiction writing; Liang Hong; writings on returning to the countryside; rural China

摘要:: 在“梁庄三部曲”中，梁鸿以知识分子返乡者的姿态，讲述了当代乡土中国的故事，并形塑了当代中国“非虚构返乡书写”的重要主题模式。通过“非虚构写作”的方式进入真实的乡土空间，梁鸿获得了再次讲述“乡土中国”的可能。但也正由于在乡土文学的知识框架中观察和书写这个“当代乡土中国的样本”，“梁庄三部曲”并未真正提供讲述“乡土中国”故事的新范式，而只是将“乡愁”问题化。不论是梁鸿还是其他知识分子的“非虚构返乡书写”的作品，都陷入了相似的困境。这一困境为作为问题的“乡土叙事”提供了反思的入口，也成为“非虚构写作”从人文学知识框架出发，探寻更多文类可能的契机。

Abstract:: Liang Hong’s Liang Zhuang Trilogy tells the story of contemporary rural China with the attitude of the intellectuals returning home,which has shaped the important theme pattern of non-fiction writings on returning to the countryside in contemporary China.By entering the real rural space through non-fiction writing,Liang Hong gained the legitimacy to re-enter rural China,but because of observing and writing this sample of contemporary rural China through the framework of humanities knowledge,Liang Zhuang Trilogy does not really provide a new paradigm for imagining rural China.On the contrary,both Liang Hong’s and other intellectuals’ non-fiction writings on returning to the countryside have fallen into a similar predicament.This dilemma provides an entrance for reflection on the local world as a problem in multiple disciplinary dimensions and becomes an opportunity for non-fiction writing to break through the framework of humanities knowledge and explore more genres.