论闽粤赣中央苏区红色音乐文化的生成场域-《集美大学学报》（哲社版）

文章信息/Info

Title:: The Generation Fields of Red Music Culture in the Central Soviet Area of Fujian,Guangdong and Jiangxi

Author(s):: HUANG Wenjie; Music College,Jimei University,Xiamen 361021,China

摘要:: 中央苏区时期（1927—1934）的红色音乐是在社会变革的历史场域中产生的具有政治属性和阶级斗争内涵的革命音乐。在宏观历史和时代的经纬交合点上，马克思主义文艺理论指导下的文学艺术实践与本土民间文艺、外来艺术相互碰撞、彼此交融，促成生生不息的民间音乐在革命斗争的历史语境中投射于现实，此种嬗变之下，其性质和功能也产生了转化，本质上成了革命传统与历史逻辑的相互交织、文化传统与政治逻辑的相互契合，堪称文化再生产的典型事例。在功能和影响上，这一特定阶段的红色音乐发挥了强大的斗争用途和战时功用，是中国现代社会思想文化发展的伟大实践，也是“国家在场”的预演，同时成为具有中国特色的革命音乐文化的历史坐标和学理源泉。

Abstract:: The red music of the Central Soviet Area period (1927—1934),generated in the historical field of social change,was the revolutionary music with political attributes and class struggle connotations.At the intersection of macro history and the times,the literary and artistic thoughts under the guidance of Marxist literary and artistic theories collided and blended with folk literature and art and foreign art.The folk music was projected into reality in the revolutionary struggle,transforming its nature and function into a typical example of cultural reproduction.Its essence is the intertwining of revolutionary traditions and historical logic,as well as the mutual agreement between cultural traditions and political logic.The red music transformed from the local folk art in Fujian,Guangdong and Jiangxi provinces played a powerful role in the struggle and wartime.It was a great practice in the development of ideological and cultural thought in modern Chinese society,as well as a preview of the “national presence”.At the same time,it became a historical coordinate and academic source of revolutionary music culture with Chinese characteristics.