[1]刘北一.1945年之前台湾水墨画的兴起与风格特征[J].集美大学学报(哲社版),2019,22(02):124-131.
　LIU Pei-yi.The Rising and Style of Ink Painting in Taiwan Before 1945[J].philosophy&social sciences,2019,22(02):124-131.
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1945年之前台湾水墨画的兴起与风格特征(PDF)

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《集美大学学报》（哲社版）[ISSN:1006-6977/CN:61-1281/TN]

Author(s):: LIU Pei-yi; （Academy of Arts，Minnan Normal University，Zhangzhou 363000，China）

摘要:: 在前人研究的基础上，结合汉人开发台湾的历史与汉文化在台湾的传播和发展情况，进一步梳理1945年以前流传在台湾社会的水墨画风格。在时间的界定上，将“明清时代”的概念精确到“清中晚期”，即清中期以前的台湾社会尚未孕育出足够的文化土壤去滋养水墨画的发展；从风格上来说，清中晚期台湾的水墨画具有粗犷、霸气的意趣，即为“闽习”的风格特征。在此基础上进一步提出早期台湾水墨画还受到了海派等其他大陆风格的影响，伴随着中原水墨画传统的不断涌入和汉文化的深入发展，台湾水墨画在原有的基础上不断提高。这与台湾社会早期的移民文化生态是一致的，而这种水墨画风格特征一直延续到1945年之前的时代。

Abstract:: Based on the research of the predecessors，considering the history of the development of Taiwan by the Han people and the spread and development of the Han culture in Taiwan，this article further combs the style of ink painting in Taiwan society before 1945.As for the division of periods，the concept of “Ming and Qing Dynasties” was accurately defined to “the middle and late Qing Dynasty”，that is，the Taiwan society before the middle of the Qing Dynasty had not made enough contributions to the development of ink painting；as for the style，Taiwan＇s ink paintings are rough and domineering during the middle and late Qing Dynasty，which is the style and characteristic of “Min-practice”.On this basis，this paper further proposes that the early Taiwan ink painting is also influenced by other continental styles such as the Shanghai Sea.Along with the continuous influx of traditional ink paintings in the Central Plains and the in-depth development of the Han culture，Taiwan ink paintings are constantly improved on the basis of the original level.This is consistent with the culture of immigration in Taiwanese society during the early time，and this style of ink painting in Taiwan has continued until 1945.

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更新日期/Last Update: 2019-05-13