台剧复兴：近年来台湾电视剧创作转型研究-《集美大学学报》（哲社版）

文章信息/Info

Title:: Taiwanese Drama Revival:A Study of the Transformation of TV Drama Creation in Taiwan in Recent Years

Author(s):: HUANG Shi-xian; (Film School,Jimei University,Xiamen 361021,China)

摘要:: 21世纪前十年是台湾偶像连续剧的黄金发展时期，但 2010年起电视剧产业整体走向低迷。2015年开始，《花甲男孩转大人》等“植剧场”系列、《通灵少女》等剧以本土闽南文化题材创作，结合跨境合作在国际网络平台播映，同时开启类型化、产业化制作的“短剧”模式，通过国际化资金和资源的注入，开启转型之路。2019年，《我们与恶的距离》《俗女养成记》《想见你》通过现实主义批判、“台式”轻喜剧风格、悬疑奇幻元素以及多元丰富的叙事模式，在内容创作、生产制作、营销等方面实现转型升级。经过5年探索，台湾电视剧可谓完成了一轮艰难但颇有成效的复兴计划，“复兴”的重点一在于内容创作上题材、类型、叙事模式上的推陈出新，二在于跨境合作带来的国际化播映平台及标准化、精良化的产业化生产模式。

Abstract:: The first decade of the 21st century was a golden period for the development of Taiwan’s idol series,but the TV drama industry as a whole has been sluggish since the 2010s.Beginning in 2015,some TV series,such as“Qseries”(e.g.,A Boy Named Flora) and The Teenage Psychic, were created with themes of local Minnan Culture,combined with crossborder cooperation and broadcast on international network platforms.In 2019,The World Between Us,The Making of an Ordinary Woman,and Someday or One Day were transformed and upgraded in such aspects as content,production and marketing,through realism criticism,light comedy style,suspense fantasy elements and diverse and rich narrative modes.After five years of exploration,Taiwanese TV dramas have completed a difficult but fruitful revival plan:First,the creation of new themes,genres,and narrative patterns in content creation;and second,the international broadcast platform and standardization and refinement brought by cross-border cooperation industrial production mode.