|本期目录/Table of Contents|

[1]李亮.武夷山景观素材绘画作品共时性解读——以黄宾虹、吴湖帆、陆俨少为例[J].集美大学学报(哲社版),2014,17(02):121-125.
 LI Liang.A Synchronic Interpretation of Wuyishan Landscape Paintings——With Examples of Works by Huang Binhong,Wu Hufan and Lu Yanshao[J].philosophy&social sciences,2014,17(02):121-125.
点击复制

武夷山景观素材绘画作品共时性解读——以黄宾虹、吴湖帆、陆俨少为例()
分享到:

《集美大学学报》(哲社版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
17
期数:
2014年02期
页码:
121-125
栏目:
出版日期:
2014-06-30

文章信息/Info

Title:
A Synchronic Interpretation of Wuyishan Landscape Paintings——With Examples of Works by Huang Binhong,Wu Hufan and Lu Yanshao
作者:
李亮
(武夷学院 传媒与动漫学院,福建 武夷山 354300)
Author(s):
LI Liang
(School of Communication and Animation, Wuyi University, Wuyishan 354300, China)
关键词:
武夷山景观素材黄宾虹吴湖帆陆俨少共时性
Keywords:
source material of Wuyishan landscape Huang Binhong Wu Hufan Lu Yanshao synchronic interpretation
分类号:
-
DOI:
-
文献标志码:
A
摘要:
世界双遗产地武夷山,因其美丽的自然景观和深厚的文化基础,蕴藏着令历代文化人向往的创作素材资源。三位在中国近现代画坛上极具影响力的山水画大家黄宾虹、吴湖帆、陆俨少,就以各自的绘画风格表现了武夷山的景观。他们或水墨、或水墨青绿、或青绿、或意象、或具象,演绎出武夷山景观绘画素材的情怀。通过对他们作品的共时性解读,从而揭示武夷山景观素材丰富的精神内涵和生态魅力。
Abstract:
Wuyishan, one of the world natural and cultural heritage sites, with beautiful natural scenery and profound cultural foundation, attracted so many literati by its material resources for creation. Huang Binhong, Wu Hufan and Lu Yanshao, the three influential modern painters showed Wuyishan landscape by different styles of paintings,varying from ink to ink green to bluish green,and imagery to concreteness. Through the synchronic interpretation of their works, this paper reveals the rich spiritual connotation and ecological charm of Wuyishan landscape material.

参考文献/References:

相似文献/References:

备注/Memo

备注/Memo:
更新日期/Last Update: 2017-03-11