[1]尚光一.海洋信仰观照下的唐诗海洋书写[J].集美大学学报(哲社版),2016,19(02):39-44.
SHANG Guang-yi.On Tang Poetry from the Perspective of Ocean Worship[J].philosophy&social sciences,2016,19(02):39-44.
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海洋信仰观照下的唐诗海洋书写()
《集美大学学报》(哲社版)[ISSN:1006-6977/CN:61-1281/TN]
- 卷:
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19
- 期数:
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2016年02期
- 页码:
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39-44
- 栏目:
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- 出版日期:
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2016-04-28
文章信息/Info
- Title:
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On Tang Poetry from the Perspective of Ocean Worship
- 作者:
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尚光一1; 2
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(1.福建师范大学 文学院,福建 福州 350007;2.中国新闻出版研究院 海峡分院,福建 福州 350001)
- Author(s):
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SHANG Guang-yi1; 2
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(1. College of Chinese Language and Literature, Fujian Normal University, Fuzhou 350007, China; 2. Straits Branch, Chinese Academy of Press and Publication, Fuzhou 350001, China)
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- 关键词:
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海洋信仰; 唐诗; 海洋意象
- Keywords:
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ocean worship; Tang poetry; the ocean imagery
- 分类号:
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- DOI:
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- 文献标志码:
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A
- 摘要:
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唐代海疆辽阔、海运发达,海洋信仰有着巨大的影响力,深度濡染了唐诗海洋书写。唐诗中形成了“海槎”“蓬莱”等有关海洋信仰的惯用意象,并且众多诗篇直接勾勒和描摹了生动的海神形象。
- Abstract:
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The Tang Dynasty had vast coastal areas and territorial seas and developed maritime transport, the belief in Ocean God had a significant effect on Tang poetry. Tang poetry formed the ocean imagery, such as Haicha and Penglai. Many poems portray a vivid Ocean God directly.
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更新日期/Last Update:
2016-05-20