媒介理论视阈下顾城诗歌的传播研究-《集美大学学报》（哲社版）

文章信息/Info

Title:: A Study on the Dissemination of Gu Cheng’s Poetry from the Perspective of Media Theory

Author(s):: WANG Can; (WanJiang College of AnHui Normal University, Wuhu 241008, China)

摘要:: 诗歌传播需要倚重一定的媒介手段，实现诗歌文本的有效传播。顾城是朦胧诗派的代表，其丰富的人生经历、复杂的情感纠葛、多样的诗作风格等，都使诗歌在现代传媒语境下得以广泛传播。伴随着二十世纪七八十年代经济社会转型，顾城诗歌的传播环境日趋宽松开放。从媒介理论视角出发，顾城诗歌的媒介传播可以分为文本传播、传记传播、影视听传播和互联网传播四种类型。从四种传播类型的特点可以看出，顾城诗歌的传播效果是积极有效的，这也给当代诗歌的传播带来一定的思考。

Abstract:: Relying on certain media means, the dissemination of poetry text can be more effective. Gu Cheng is a representative poet of misty poetry, whose rich life experience, complex emotional entanglements and diverse poetry styles make his poetry widely spread in the context of modern media. With the economic and social transformation in the 1970s and 1980s, the spread of Gu Cheng’s poetry became increasingly loose and open. From the perspective of media theory, media communication of Gu Cheng’s poetry can be divided into four types: text communication, biography communication, film and television listening communication and Internet communication. It can be seen from the characteristics of the four communication types that the communication effect of Gu Cheng’s poetry is positive and effective which gives enlightenment on dissemination of contemporary poetry.